Brechtian Distancing Works of Michael Haneke
DOI:
https://doi.org/10.37646/xihmai.v11i21.268Keywords:
Haneke, Brecht, identification, distancing effect, appealsAbstract
This essay addresses four issues: the first is to make visible the influence of Bertolt Brecht in Michael Haneke, through the various forms of Brechtian alienation in his works; the second is the film policy of director, whereby he tries to make the viewer a critical agent that can distance for a judgment of artistic representation and take on responsability for his spectatorial place; the third is to explain the method of the filmmaker, from a formal analysis of his works, in order to recognize the main elements of its film policy, aesthetics and ethics; and the fourth is to note that while the director considers himself an artist and not a theorist, his frankfurtian ascentry take him to seek social transformation through a subjective warning. February, 2015.
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