ON THE ENCOUNTER WITH IMAGES: AN AFFECTIVE LOOK THROUGH THE FILMS RECONSTRUCTION (2003), ALLEGRO (2005) AND OFFSCREEN (2006) OF DANISH DIRECTOR CHRISTOFFER BOE
DOI:
https://doi.org/10.37646/xihmai.v16i31.518Keywords:
affect, affection-image, Gilles Deleuze, Christoffer Boe, encounterAbstract
In recent years, the humanities and social sciences have undergone an affective turn (Massumi, 2002b), (Clough and Halley, 2007), (Gregg and Seigworth, 2010). This theoretical reorientation posits the experience and the encounter as two categories from which to think of multiple phenomena. This article approaches cinema by way of theories of affect. Through a multitude of voices, it is an expedition of the affective postulates rendered in any cinematic event. It is also an investigation into the scope of the Deleuzean affection-image as well as an affective evaluation of the film trilogy Reconstruction (2003), Allegro (2005), and Offscreen (2006) by the Danish director Christoffer Boe.
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