Del Género Negro A La ”Ficción Paranoica”: Blanco Nocturno De Ricardo Piglia
DOI:
https://doi.org/10.37646/xihmai.v9i17.237Abstract
El autor realista de novelas policiales habla de un mundo
en que los gánsters pueden dirigir países: un mundo
en el que un juez tiene que tiene una bodega clandestina
llena del alcohol puede enviar a la cárcel a un hombre
apresado con una botella de whisky encima. Es un mundo
que no huele bien, pero es el mundo en el que usted vive.
No es extraño que un hombre sea asesinado, pero es extraño
que su muerte sea la marca de lo que hoy llamamos civilización.
RAYMOND CHANDLER, El simple arte de matar
Resumen
Este artículo analiza la transición del género negro a la llamada ”ficción paranoica”, concepto que Ricardo Piglia elabora para su novela Blanco nocturno. Las referencias intertextuales contribuyen a una posición estética y ética que desembocan en una crítica al sistema capitalista y la ausencia de valores morales, como la solidaridad y la justicia.
Palabras clave: Ricardo Piglia, Literatura hispanoamericana contemporánea, ”ficción paranoica”, novela moral, análisis intertextual.
Abstract
This paper analyzes the thriller transition to the "paranoid fiction", Ricardo Piglia’s concept for his novel Blanco nocturno. Intertextual references contribute to aesthetic and ethical position leading to a critique of the capitalist system and the emptiness of moral values, such as solidarity and justice.
Keywords: Ricardo Piglia, Contemporary Latin American Literature, ”paranoid fiction”, moral novel, intertextual analysis.
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