Museums of Science, Technique and Industry: Disseminators of the History and Activists of Identity Discourse
DOI:
https://doi.org/10.37646/xihmai.v13i25.296Keywords:
Communication, Industrial heritage, Identity, Museum, MemoryAbstract
The industrial sector changes according to the requirements and resources of the place where it is located. Therefore, the industrial heritage that is preserved in museums of science, technique and industry conserves the socio-historical-cultural significance of the period to which its exhibition contentes belonged.
The ethnographic and semiotic methods were combined to analize the museum experience and museum discourse of two case studies: the Archivo Histórico y Museo de Minería[2] in Pachuca, Mexico and the Sistema Territorial del Museo Nacional de Ciencia y Técnica de Cataluña[3] in Spain, both organized in a network of different venues throughout their respective territories. In the end, it showed the way in which the museum spaces present discourses that reaffirm the identity generated by the memory.
Downloads
References
BALLART, J. (2003). El pasado presente: valor y utilidades del patrimonio cultural. En Memorias del Congreso Iberoamericano sobre patrimonio cultural, desarrollo y turismo. Cuaderno 5, primera parte, 227-233.
CAMERON, D. (1968). A viewpoint: the museum as a communication system and implications for museum education. En Curator, 11, 1, 33-40. https://doi.org/10.1111/j.2151-6952.1968.tb00883.x DOI: https://doi.org/10.1111/j.2151-6952.1968.tb00883.x
ESCUDERO JIMÉNEZ, N. (2011). Cohesión social. El reto en un mundo multicultural. En Gerardo Covarrubias Valderrama (coordinador), Desarrollo cultural comunitario. Opciones para la cohesión social. México: Consejo Nacional para la Cultura y las Artes, 107-132.
GONZÁLEZ PÉREZ, C. (2012). Aplicaciones de la semiótica peirceana al estudio de la comunicación interna organizacional. El caso de las relaciones entre los procesos de comunicación formal e informal en el Museo de La Plata. La Plata: Universidad Nacional de La Plata, en: http://sedici.unlp.edu.ar/handle/10915/26464
GUTIÉRREZ MARTINEZ, D. (2010). Epistemología de las Identidades. Reflexiones en torno a la pluralidad. Macroproyecto Ciencias Sociales y Humanidades. México: UNAM.
HERNÁNDEZ HERNÁNDEZ, F. (2003). El museo como espacio de comunicación. Gijón: Trea.
KNEZ, E., y WRIGHT, G. (1970). The museum as a communication system: an assessment of Cameron's viewpoint. En Curator, 13, 3, 204-212. https://doi.org/10.1111/j.2151-6952.1970.tb00404.x DOI: https://doi.org/10.1111/j.2151-6952.1970.tb00404.x
MAGARIÑOS DE MORENTÍN, J. (2008). La semiótica de los bordes: apuntes de metodología semiótica. Córdoba: Comunic-Arte.
MARTÍNEZ GARCÍA, O., PORTILLO ORTIZ, G., y LÓPEZ MONROY, M. (2001). La comunicación visual en museos y exposiciones, México: UNAM / Margen Rojo.
MORRIS, Ch. (1963). La significación y lo significativo. Madrid: Alberto Corazón.
MORRIS, Ch. (1994). Fundamentos de la teoría de los signos. Barcelona: Paidós.
MUDROVCIC, M. I. (2005). Historia, narración y memoria. Los debates actuales en filosofía de la historia. Madrid: Akal.
OPPENHEIMER, F. (1968). A Rationale for a Science Museum. En Curator, 11, 2, 206-209. https://doi.org/10.1111/j.2151-6952.1968.tb00891.x DOI: https://doi.org/10.1111/j.2151-6952.1968.tb00891.x
COMITÉ INTERNACIONAL PARA LA CONSERVACIÓN DEL PATRIMONIO INDUSTRIAL (2003). Carta de Nizhny Tagil sobre el Patrimonio Industrial. Recuperado el 20 de Agosto de 2013, de http://ticcih.org/wp-content/uploads/2013/04/NTagilSpanish.pdf
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Verónica Ortega Ortiz [1]
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication, with the work licensed under a Creative Commons Attribution 4.0 License, which allows others to use the published work as long as they acknowledge the authorship of the work and its first publication in this journal.
Authors may make separate, additional contractual arrangements for non-exclusive distribution of the published version of the article in this journal (e.g., posting it to an institutional repository or publishing it in a book) as long as they clearly indicate that the work was first published in this journal.
Authors are permitted and encouraged to share their work online (for example, via institutional repositories or personal websites) prior to and during the manuscript submission process, as it can lead to productive exchanges and to increased and more rapid citation of the published work.