The image of music in the mexican comic "Minuet"
DOI:
https://doi.org/10.37646/xihmai.v15i30.5Keywords:
music, comic, Romaticism, representation, magic, deathAbstract
In this work, we propose that the Mexican comic Minuet (2016), represents an image of music marked by Romanticism (18th-19th century), where the musical phenomenon oscillates between the psychological and magic, by representing the musician with characteristics romantic in an urban setting. It is not about the representation of the musician imbued with a melancholic (Renaissance) personality, where the death of a loved one triggers madness in his susceptible personality.
We adhere to the paradigm of indexical inferences raised from microhistory by Carlo Ginzburg (1939-), in which the details are key to understand complex sociocultural and historical realities. Among the authors that support this research, we find Tanenbaum (1995) and Domínguez Prieto (2010), with their analyzes of public transport systems. On the subject of romanticism and music, we work with Nassif Schoeder (2004), Kertz-Wesel (2005), and Galí Boadella (1995), for romanticism in Mexico.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Sarahi Isuki Castelli Olvera
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication, with the work licensed under a Creative Commons Attribution 4.0 License, which allows others to use the published work as long as they acknowledge the authorship of the work and its first publication in this journal.
Authors may make separate, additional contractual arrangements for non-exclusive distribution of the published version of the article in this journal (e.g., posting it to an institutional repository or publishing it in a book) as long as they clearly indicate that the work was first published in this journal.
Authors are permitted and encouraged to share their work online (for example, via institutional repositories or personal websites) prior to and during the manuscript submission process, as it can lead to productive exchanges and to increased and more rapid citation of the published work.
