“The Configuration of the East Through Historical Representation of the West in the Film: The Case of The Four Feathers (Shekhar Kapur, 2002)”
DOI:
https://doi.org/10.37646/xihmai.v11i21.267Keywords:
West, East, History, Cinema, IdeologyAbstract
This article discusses how the West creates an ideological perspective on the East through the representation of history in cinema, in the specific case of the movie The Four Feathers (Shekhar Kapur), and from the theoretical proposal of the text Orientalism by Edward Said.
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MASON, A. E. W. (1984). Las cuatro plumas. Santiago de Chile: Andrés Bello.
ABDEL-MALEK, A. (1963). "Notes y Discussion. Orientalism in Crisis". Recuperado el 10 de octubre de 2015, en http://es.scribd.com/doc/163819481/Anuoar-Abdel-Malek- Orientalism-in-Crisis-1963#scribd
ROSENSTONE, R. (1995). Revisión de la historia cinematográfica y construcción de un nuevo pasado. Nueva York: Princeton University Press.
SAID, E. (2003a). "Crisis [en el orientalismo", en Nara Araújo y Teresa Delgado. Textos de teorías y críticas literarias. Del formalismo a los estudios Postcoloniales (pp. 569-594). México: UAM-I, Universidad de La Habana.
SAID, E. (2003b). Orientalismo. Barcelona: De bolsillo.
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